The Wildflower Letters

17 July - 27 August 2026 GYMPIE REGIONAL GALLERY

THE EXHIBITION

The Wildflower Letters began, as so many of my paintings do, with a walk. Not with a plan or an idea for a painting, but simply by spending time wandering through the Wallum landscapes that have become so deeply meaningful to me.

Over time, I found myself returning to these places again and again. Walking the same tracks through changing seasons, I began to notice the quieter things; the first wildflowers emerging after fire, seedpods opening, the way morning light softened the colours of the heath, or how a single flower could seem to appear exactly when it was needed. The more time I spent there, the more I felt the landscape was gently revealing itself.

This exhibition grew from those moments.

I began thinking about wildflowers as quiet letters from the landscape; small but meaningful correspondences that speak of resilience, impermanence, hope and belonging.

Through these oil paintings and charcoal works, I have tried to respond to those messages, capturing not only the beauty of the wildflowers themselves, but also the traces they leave behind in soil, season, atmosphere and memory.

A large, vertical painting of a wildflower scene with white, pink, and purple flowers, set in a simple wooden frame, hung on a white gallery wall.

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17 July - 27 August 2026

GYMPIE REGIONAL GALLERY

HERE, AT LAST

Oil on canvas | 366 x 91 cm | 2026

I often get asked why I paint our wildflowers.

The truth is, I don’t really feel like I chose them. Somewhere along the way, they chose me.

What began as taking my camera on walks through the Wallum slowly became something much deeper. The more I returned to these places, the more I began to notice. Flowers I’d once walked straight past. The changing colours after rain. The marks left by fire and the first signs of new growth. The quiet rhythm of the seasons.

Over time, I realised I wasn’t simply walking through the landscape; I was learning to pay attention.

Marcus Beach sand dunes, landscape with smoke rising from a fire in the distance, surrounded by green and brown vegetation under a blue sky with some clouds.

These paintings begin outside, on those wildflower walks. Sometimes with a photograph or a quick sketch, but more often with the experience of simply being there.

Prelude came from one of those moments, atop the high dunes of Marcus Beach in Noosa National Park, where a planned burn had begun to move through the wildflower trail a group of wildflowering women and I had just walked.

The timing, the experience and the symbolism of that moment felt nothing short of divine.

A painting of a tree with dark, twisting branches and some brown-orange foliage, set against a soft, muted background with hints of pink and purple hues.

An art gallery featuring a three-dimensional botanical sculpture with branches, flowers, and grasses on a black stand, displayed in front of a white wall with colorful abstract wildflower paintings.

A woman with dark hair and blue eyes standing in front of a wooden door with glass panels, holding a book titled "The Wildflower Letter".

Three floral paintings in a gallery, with the center painting being the largest and flanked by two smaller paintings on a white wall.

Interior of an art gallery with two fabric scrolls hanging on the white wall, one with handwritten script and the other with a black background and white illustrations, with a doorway leading to a room with colorful murals.

A split image with handwritten text on the left side and a dark fabric with white wildflowers on the right side.

A framed oil painting of white and pink Sunshine Coast wildflowers with green leaves against a dark background, hanging on a plain white wall.

An art installation in a gallery with a large landscape painting on the wall, featuring plants and mountains. In front, there are real plants and branches on the floor, with some flowers and a small sculpture of a flower on the left.

Interior view of an art gallery with paintings displayed on white walls and a wooden floor, featuring a centerpiece with flowers and sculptures.

An art gallery with a white wall displaying framed paintings of nature and a sculptural arrangement of dried plants and flowers on a white pedestal in front of the wall.

Three black-and-white charcoal drawings on display of banksia and hakea seed pods

A woman with shoulder-length dark hair, wearing a dark maroon dress, smiling at an art gallery. She is standing next to a large abstract painting with warm colors, including shades of orange, pink, and brown, featuring leafy and branch-like patterns.

Person holding a booklet titled 'The Wildflower Letters' in an art gallery, with paintings on the wall behind.

A woman with long dark hair walking past abstract landscape painting in an art gallery.

Four small floral paintings displayed on a white gallery wall, featuring various flowers in different colors and styles.

Art gallery with floral paintings on white walls and a wooden floor, decorated with flower arrangements, in a well-lit space.

Arranged bouquet of pink, white, and cream flowers with green foliage and long, thin leaves set against plain background.

Close-up of a person holding an open book with a floral illustration on a page.

Open book with acknowledgments page, containing text about traditional custodians of the land and appreciation for contributors, alongside a portrait of a woman standing in front of a painting in an art gallery.

Oil painting of pink flowers on a brown background, framed in wood, hanging on a white gallery wall, with a shadow cast below.

A landscape painting on display in an art gallery showing a cloudy sky, a distant horizon, and a foreground of colorful plants or bushes.

A printed page of a literary essay titled 'The Wildflower Letters' by Jasmine Veronique, discussing the author's relationship with wildflowers and their significance in art and observation.

Close-up of a bouquet of dried flowers, including pink, white, and dark red flowers, with some green stems and long, thin green leaves.

Woman in burgundy dress holding a book inside an art gallery entrance with posters on either side of the doorway

I respectfully acknowledge the Kabi Kabi (Gubbi Gubbi) People, the Traditional Custodians of the Country on which much of this work was created, and pay my respects to Elders past and present. I honour their deep and ongoing connection to Country, and to the flora, stories and landscapes that have inspired this exhibition.

My heartfelt thanks to Julie and the wonderful team at Gympie Regional Gallery and Gympie Regional Council for welcoming The Wildflower Letters and supporting the development and presentation of this exhibition.

To Dr Susan Davis, thank you for your beautiful foreword and for the generosity, knowledge and passion you continue to share through the Wild/flower Women community. Your work has played such a meaningful part in deepening my connection to our local wildflowers and the landscapes they belong to.

A special thank you to Hayley Peters of Sugarplum Blooms, whose beautiful floral installations brought another dimension to the exhibition space. I am so grateful for your artistry, friendship and collaboration.

To Christine Hall Photographer, thank you for your beautiful photography and the care you take in documenting my work. And to Alexandra Rose Photography, thank you for capturing the exhibition so beautifully.

Thank you to Joe and Erin at Cool Art Picture Framing, Coolum Beach, for your craftsmanship and care in framing these works.

To my wonderful studio family at Kim Wallace Ceramics, thank you for the friendship, encouragement and creative space in which so much of this exhibition came together.

And finally, to my family, friends, fellow artists, collectors and everyone who visited and connected with The Wildflower Letters - thank you. Your encouragement, conversations and support mean more than you know, and continue to shape this beautiful journey.